I am a self-taught Marin artist. My work is influenced by what I see, confounded by what I experience, and then completely altered by the time the paint hits the canvas.
My process is very physical, in which I energetically cover the canvas with thick layers of paint, mostly with a palette knife, that are worked and reworked, scraped and peeled. The texture becomes an object as well as a space; it is empty yet has a restless energy. This method allows me little control, suggesting emotions and